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<channel>
	<title>鄭宜欣</title>
	<link>https://cindychengihsin.com</link>
	<description>鄭宜欣</description>
	<pubDate>Sun, 03 Dec 2023 09:34:21 +0000</pubDate>
	<generator>https://cindychengihsin.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Index</title>
				
		<link>https://cindychengihsin.com/Index</link>

		<pubDate>Sat, 18 Mar 2023 10:18:57 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

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		<title>Home</title>
				
		<link>https://cindychengihsin.com/Home</link>

		<pubDate>Sun, 03 Dec 2023 09:34:21 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/Home</guid>

		<description>


&#60;img width="2746" height="1589" width_o="2746" height_o="1589" data-src="https://freight.cargo.site/t/original/i/2378adc193c0367e76a855802ea488500a2370b37904db13a56ef89ba7010ee6/Photo-2024-10-3--20-57-30-11.jpg" data-mid="219293491" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2378adc193c0367e76a855802ea488500a2370b37904db13a56ef89ba7010ee6/Photo-2024-10-3--20-57-30-11.jpg" /&#62;
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	<item>
		<title>Chess III</title>
				
		<link>https://cindychengihsin.com/Chess-III</link>

		<pubDate>Sun, 25 Dec 2022 14:22:52 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/Chess-III</guid>

		<description>
	
Chess III: The Heaven Is Round and the Earth Is Square
2022&#38;nbsp;

Plywood ball and structure, sawdust, wood wax colour. 
Ball 25 cm diamter, table 55x147x147 cm&#38;nbsp;A seemingly familiar game, Chess III carves Chinese chess pieces into a rolling ball, stamping the pictographic characters in a void. Reversed characters symbolise social roles whereas colours represent divided identities. Yet when fallen on dust, all appear to be mere shadows.Collection of Lihpao Cultural Arts Foundation
   



	︎︎︎&#38;nbsp;The&#38;nbsp;Checkmate Series


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a55450957e95156f6b44be3e8c7d046c6dea2057fc476764212afa6c5f0cd2d3/221114104302-mini-sRGB-_.jpg" data-mid="162734889" border="0"  src="https://freight.cargo.site/w/1000/i/a55450957e95156f6b44be3e8c7d046c6dea2057fc476764212afa6c5f0cd2d3/221114104302-mini-sRGB-_.jpg" /&#62;
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	<item>
		<title>Checkmate</title>
				
		<link>https://cindychengihsin.com/Checkmate</link>

		<pubDate>Sat, 01 Oct 2022 13:55:47 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/Checkmate</guid>

		<description>
	The Checkmate Series
2022-

The Checkmate Series is a collection of playfully unplayable games, starting from the confrontation between the International chess of representational three-dimensional figurines and Chinese chess (象棋, literally ‘The chess of metaphor’) of discs with pictographic Han characters. 

	︎︎︎ Chess I: À Duchamp
︎︎︎ Chess II: Rolling Stones
︎︎︎ Chess III: The Heaven Is Round and the Earth Is Square&#38;nbsp;︎︎︎&#38;nbsp;Chess V: Turning Pages
︎︎︎ Chess VIII: Deserted Islands
︎︎︎ Chess XI: Silver Lining





&#60;img width="2244" height="2260" width_o="2244" height_o="2260" data-src="https://freight.cargo.site/t/original/i/2f049a0a5d0b7538eb20ef4dbd20e4bc58769727734d3c91013279d2bfd158a0/01_Chess-III-2.jpg" data-mid="155792987" border="0" data-scale="52" data-no-zoom src="https://freight.cargo.site/w/1000/i/2f049a0a5d0b7538eb20ef4dbd20e4bc58769727734d3c91013279d2bfd158a0/01_Chess-III-2.jpg" /&#62;</description>
		
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	<item>
		<title>My World</title>
				
		<link>https://cindychengihsin.com/My-World</link>

		<pubDate>Sun, 16 Oct 2022 13:04:43 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/My-World</guid>

		<description>
	&#38;nbsp;My World&#38;nbsp;
&#38;nbsp;











2023

Installation of hand-carved relief matrices as parquet flooring 200x300x3.5cm,  a found object of an old drawing of pastel on paper, a new print of oil on xuan paper size 200x300cm 

In an experimental solo show centered on the installation work of My World (2023), the audience unknowingly steps into a space where the floor serves as a matrix, activating a unique print-making process. Before the show opens, the artist applies oil color and places xuan paper onto a hidden relief beneath the parquet installation. After the show closes, the artist collects the printed work underneath the floor area. This process is repeated several times over the course of four weeks.

The project reflects the artist’s innocent childhood imitation of a sunny day picture, created years before learning the historical context of Seurat’s classic work, suggesting a gap between art contexts and the absence of physical experience with a familiar work of art. For the audience, it might simply be another story about the bathers, as familiar or unfamiliar as their own footprints.Presented by Hong Foundation, February 2023

 Granted by National Culture and Arts Foundation Taiwan



︎︎︎ My World Revealed
︎︎︎ behind the scenes


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</description>
		
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	<item>
		<title>My World Revealed</title>
				
		<link>https://cindychengihsin.com/My-World-Revealed</link>

		<pubDate>Thu, 05 Oct 2023 09:21:43 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/My-World-Revealed</guid>

		<description>
	
My World Revealed
&#38;nbsp;











2023

Installation of hand-carved relief matrices as parquet flooring 200x300x3.5cm,  a found object of an old drawing of pastel on paper, a new print of oil on xuan paper size 200x300cm


My World Revealed (2023) opens up the parquet flooring, a relief print machine in disguise, and presents the result of three large prints from the installation and performative experiment of My World (2023).

Over four weeks, exhibition visitors unknowingly stepped on the parquet flooring installation and helped complete the printing on size 200x300cm papers. Oil colours were applied before the show and the prints were collected after. Set to one print per week, the work ended up with one grey print and several broken pieces of grey and brown prints.Installation view at Underground Museum, Taipei National University of the Arts, June 2023
Granted by National Culture and Arts Foundation Taiwan




︎︎︎ My World



	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/71e63087c3b394ca9ac31fd2195db14be4496d329ab48bfbfbca447d4f3e14e2/_My-World_.jpg" data-mid="192797371" border="0"  src="https://freight.cargo.site/w/1000/i/71e63087c3b394ca9ac31fd2195db14be4496d329ab48bfbfbca447d4f3e14e2/_My-World_.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1b8bd6e6407b7640713ff18d5c61b22a0972167eee338e79d422aa92650f7109/DSCF1655.jpg" data-mid="192797366" border="0"  src="https://freight.cargo.site/w/1000/i/1b8bd6e6407b7640713ff18d5c61b22a0972167eee338e79d422aa92650f7109/DSCF1655.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f684fe1ccdcb0bbb49d11007301d63a1600c3d198232ed1c133dfad396c0978a/DSCF1674.jpg" data-mid="192797485" border="0"  src="https://freight.cargo.site/w/1000/i/f684fe1ccdcb0bbb49d11007301d63a1600c3d198232ed1c133dfad396c0978a/DSCF1674.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e0bf18990679a320b5b722187ec1a8b07d8e02a58e056e808fb5694dd122fbd5/_My-World_2.jpeg" data-mid="192797373" border="0"  src="https://freight.cargo.site/w/1000/i/e0bf18990679a320b5b722187ec1a8b07d8e02a58e056e808fb5694dd122fbd5/_My-World_2.jpeg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/357897fa83ada5a9bf66d4d9bf2413f87eab20cb5437a733518fbe66a910c97f/_My-World_1.jpeg" data-mid="192797372" border="0"  src="https://freight.cargo.site/w/1000/i/357897fa83ada5a9bf66d4d9bf2413f87eab20cb5437a733518fbe66a910c97f/_My-World_1.jpeg" /&#62;&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/be0a2b9dfe350d2a3420e2561ef1e451f1444d714e12d11d108c10b7de5f1e62/minisRGB25182607.jpg" data-mid="192796948" border="0"  src="https://freight.cargo.site/w/1000/i/be0a2b9dfe350d2a3420e2561ef1e451f1444d714e12d11d108c10b7de5f1e62/minisRGB25182607.jpg" /&#62;&#60;img width="1496" height="700" width_o="1496" height_o="700" data-src="https://freight.cargo.site/t/original/i/29b1d9563d206998807ae5bec84083bf874ff9b01b5fb6477b03ea9929911524/MyfutureWorld-label.png" data-mid="192796945" border="0" data-scale="41" src="https://freight.cargo.site/w/1000/i/29b1d9563d206998807ae5bec84083bf874ff9b01b5fb6477b03ea9929911524/MyfutureWorld-label.png" /&#62;




</description>
		
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		<title>Meditation in Colours Performance</title>
				
		<link>https://cindychengihsin.com/Meditation-in-Colours-Performance</link>

		<pubDate>Wed, 07 Jul 2021 16:16:46 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/Meditation-in-Colours-Performance</guid>

		<description>
	
	Meditation in Colours: A Lecture Performance
2021
The performer, modified shoes, paper pulp surface, synchronised projections of a poem of text and colour, jazz music recording
 (performance at Taipei National University of the Arts)

 In the 10-minute lecture performance, the speaker gives a talk in silence, mouthing words. Jazz music plays as if fallen out of the earphone and footprints of the rest symbol marks the paper pulp stage. 

	︎︎︎ Meditation in Colours: A Poem

&#60;img width="3812" height="2868" width_o="3812" height_o="2868" data-src="https://freight.cargo.site/t/original/i/a75608d47dc9c27e096af9cd8e7313558fe7c79f449889fad0da50662a2135e7/IMG_0604-2.jpg" data-mid="113283833" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/a75608d47dc9c27e096af9cd8e7313558fe7c79f449889fad0da50662a2135e7/IMG_0604-2.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/4927b1be1cf9c15111a9e9ed455bbc77b3cd43bada3a75e8107127aee4cad36b/IMG_0606.jpg" data-mid="113283790" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/4927b1be1cf9c15111a9e9ed455bbc77b3cd43bada3a75e8107127aee4cad36b/IMG_0606.jpg" /&#62;


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2d784db9d2d83ce49dce8ea0352e3347b49cab059a2458752ddad606344e4f0a/2021-01-15-13.21.35-copy.jpg" data-mid="133893620" border="0" data-no-zoom="true" src="https://freight.cargo.site/w/1000/i/2d784db9d2d83ce49dce8ea0352e3347b49cab059a2458752ddad606344e4f0a/2021-01-15-13.21.35-copy.jpg" /&#62;

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		<title>Earthtrotter</title>
				
		<link>https://cindychengihsin.com/Earthtrotter</link>

		<pubDate>Wed, 07 Jul 2021 15:18:36 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/Earthtrotter</guid>

		<description>Earthtrotter&#38;nbsp;
    

2020

Unfired Taiwanese clay sculpture and dust&#38;nbsp;

Earthtrotter captures a moment in the years-long performative project of MADE IN TAIWAN where the artist leaves footprints in everyday travels to evoke linguistic and geopolitical imaginations. Symbolic of the homeland, unfired Taiwanese clay brings spotlight to the foundation that supports and records the weight of humans.Collection of Lihpao Cultural Arts Foundation




	  


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&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/92b5e310e10a8388389c3dd6aaeabc53a6c402cdd1967224b35a79069bd3de9b/201123163609-mini-sRGB.jpg" data-mid="116724900" border="0"  src="https://freight.cargo.site/w/1000/i/92b5e310e10a8388389c3dd6aaeabc53a6c402cdd1967224b35a79069bd3de9b/201123163609-mini-sRGB.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/7bf19ee7ec1e4afcbc4ba7f385065011380e4e2d4734749ca01fc04433ca7d0b/201123163432-mini-sRGB.jpg" data-mid="116724898" border="0"  src="https://freight.cargo.site/w/1000/i/7bf19ee7ec1e4afcbc4ba7f385065011380e4e2d4734749ca01fc04433ca7d0b/201123163432-mini-sRGB.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/129fc1551d5108c94a16395d3c7640a06b89af143784af7a0b4530c7c89d3714/201123164004-mini-sRGB.jpg" data-mid="116724923" border="0"  src="https://freight.cargo.site/w/1000/i/129fc1551d5108c94a16395d3c7640a06b89af143784af7a0b4530c7c89d3714/201123164004-mini-sRGB.jpg" /&#62;

</description>
		
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	<item>
		<title>MADE IN TAIWAN</title>
				
		<link>https://cindychengihsin.com/MADE-IN-TAIWAN</link>

		<pubDate>Wed, 07 Jul 2021 15:18:37 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/MADE-IN-TAIWAN</guid>

		<description>
	MADE IN TAIWAN&#38;nbsp;

2018-

Modified ready-made shoes of the artist, everyday performance, documentation of text and image

MADE IN TAIWAN takes the shoe as a metaphor for (the Taiwanese) identity, a vessel necessary if not obligatory. 










In the long-term project overlapping real life, the artist carves into all her shoe soles and leaves accidental footprints in everyday travels to evoke linguistic and geopolitical imaginations.





 

	︎︎︎ A Footprint Diary

&#60;img width="4607" height="3465" width_o="4607" height_o="3465" data-src="https://freight.cargo.site/t/original/i/6ccfc7b5713e393b9a766e677eb1d8f5c609581ff854a730da29cabdfbb781ba/DSCN1949.JPG" data-mid="113281062" border="0"  src="https://freight.cargo.site/w/1000/i/6ccfc7b5713e393b9a766e677eb1d8f5c609581ff854a730da29cabdfbb781ba/DSCN1949.JPG" /&#62;
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&#60;img width="2100" height="1400" width_o="2100" height_o="1400" data-src="https://freight.cargo.site/t/original/i/798bb1298cf087b7b2f96fe0b77aa77e68bf6be40fe1fb507e20cab98c5798bd/Negative0-25-12A1-copy.jpg" data-mid="113282004" border="0"  src="https://freight.cargo.site/w/1000/i/798bb1298cf087b7b2f96fe0b77aa77e68bf6be40fe1fb507e20cab98c5798bd/Negative0-25-12A1-copy.jpg" /&#62;
</description>
		
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	<item>
		<title>Marks of Success II</title>
				
		<link>https://cindychengihsin.com/Marks-of-Success-II</link>

		<pubDate>Fri, 07 Apr 2023 04:29:43 +0000</pubDate>

		<dc:creator>鄭宜欣</dc:creator>

		<guid isPermaLink="true">https://cindychengihsin.com/Marks-of-Success-II</guid>

		<description>
	Marks of Success: Good Job Stools
&#38;nbsp;2023&#38;nbsp;
Modified wooden school chairs and stools around 50x20 cm diameter each 

Marks of Success II&#38;nbsp;turns a classroom of 20 wooden chairs into stamps for the buttom, imprinting familiar (re)marks of excellence, such as reward stamps on workbooks, weekly badges for uniforms, top university seals on graduation certificates, awarded by the book-cramming education system.
Granted by National Culture and Arts Foundation Taiwan

 


 

	





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